Both literal and abstract, these works examine the visual and material structure of industrial timber piles found at mill yards and forestry sites. The series includes photographs, canvas works produced through a relief printing process, and sculptural stacks made from the same printed log sections.

The process-driven canvas works are created by cutting thin sections of logs and inking the freshly exposed surface. Each cut end is printed directly onto stretched canvas, recording the growth rings of the tree along with the marks left by the chainsaw. Individual impressions are assembled into close-cropped compositions that correspond to the visible end of a timber pile. While the arrangements may repeat across works, each print remains unique, produced from a different section of a tree.

Many of the canvases begin with a dyed ground in bright industrial colors commonly found in forestry — reds, pinks, and other high-visibility tones used for flagging tape, lumber markers, and site designation. The printed impressions appear in black, and the surrounding areas are painted out afterwards to modify or simplify the composition.