Jer Crowle (b. 1978, Vancouver, Canada) is an interdisciplinary artist based in Vancouver, working between the Pacific Northwest and Europe, including extended periods in Turin, Italy. His practice spans painting, printmaking, photography, design, and material-based installation, and is grounded in a sustained investigation of human perception, land stewardship, and the systems that shape cultural and spatial relationships.

Crowle began his artistic practice in his teens, attending the Langley Fine Arts School before continuing as a largely self-taught artist. From an early stage, his work resisted a singular disciplinary trajectory, instead developing through parallel engagements with visual art, design, and industrial process. This commitment to interdisciplinarity remains central to his practice.

At the core of Crowle’s work is an interest in how relationships—between people and land, systems and culture—are formed and perceived. His recent work engages federal land stewardship in the Pacific Northwest as a case study through which broader cultural, spatial, and systemic questions can be examined. Rooted in long-term personal history with the region, this focus treats the Pacific Northwest as a lived environment in which larger conversations around responsibility, governance, extraction, conservation, and collective perception become visible.