Sculptural works extend these concerns into space, considering scale, duplication, and the spatial intervals between objects. The distance between forms becomes as significant as the forms themselves, suggesting thresholds, pathways, and the ambiguous edges between private property and shared civic space. These interstitial zones evoke property lines, passages between interior and exterior conditions, and the social choreography that unfolds where individual shelter meets collective life.

Across the work, the house appears as both protective interior and public sign—an enduring architectural symbol that reflects contemporary conditions of domestic life. In this way the works engage with broader questions surrounding the global state of domestic architecture and its influence on cultural behaviour, asking how ideas of home, ownership, and belonging continue to be shaped by the environments and infrastructures that surround them.