SO/JC

House 2025-2026
A1-A7 Paintings, Proposed Sculpture A-2 Vienna

The seminal works in this series vary in palette but rigidly pursue a core tension: material and gravity acting within the volume. The paintings evoke internal environments, referencing the physical boundaries a rooftop creates.

Trees Rivers Roads  2022-2025
Ongoing works from the Fraser River, Powell River, and the Straight of Georgia

A sustained inquiry into land, use, and memory, Trees Rivers Roads traces human intervention across watersheds of coastal British Columbia. Through interdisciplinary works, the series explores how natural systems and industrial processes intersect.

A Known Path and a Planned Collision, 2025
Vinyl, ink, adhesive
Dimensions variable

A Known Path and a Planned Collision is an immersive installation composed of life-size logging truck tire tracks printed in black ink onto seamless, site-specific vinyl. The tracks appear as if a vehicle has rolled directly through the gallery—across floors, up walls, and around corners—leaving behind a continuous, inked trace.

Referencing both printmaking and land use, the work positions the gallery itself as a surface of impact. The curved, sweeping forms of the tire marks contrast sharply with the right-angled architecture of the room, drawing attention to the tension between organic movement and imposed structure. This spatial gesture echoes the paradox of natural terrain shaped by colonial infrastructure: fluid topographies intersected by planned lines and regulated systems.

Visitors traverse the piece by walking through it, stepping over and alongside these monumental forms. In doing so, they participate in a physical mapping of disruption.
 

Works from the studio that reflect an ongoing dialogue between two artists about emotional response to art making and its impact on human relationships. The works explore material, type and language in a contemporary format.

You First, F, 2025
Acrylic and enamel on wood panel
18 × 24 in (45.7 × 61.0 cm)